Exhibition focus · 06
Si’en Studio is the quietest museum space of the route. It combines rotating collections, carved Buddhist imagery, hair embroidery and contemplative display to create a refined room of stillness.
Overview
A calm museum-like space for rotating collections, wood-carved Buddhist art, hair embroidery and quiet reflection.
260㎡
intimate museum space
Museum+
rotating exhibition model
4.2m
hair embroidery height
In a quiet room, craftsmanship becomes contemplation.
The studio connects local architecture with museum collections. Rotating exhibitions allow the space to renew itself around festivals, regional culture and intangible heritage.
The compact scale invites slower looking.
Carved beams and exhibition cases form a calm rhythm.
The page uses softer contrast to preserve the meditative mood.
A large carved Guanyin image and the hair embroidery work Jì Jiàn Pútí form the spiritual center. One is sculptural and protective; the other is delicate, thread-like and inward-looking.
Wood carving shows strength and compassion.
Hair embroidery turns time and patience into image.
The experience is designed as a final pause before leaving.
Si’en Studio is the quietest museum space of the route. It combines rotating collections, carved Buddhist imagery, hair embroidery and contemplative display to create a refined room of stillness.
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05Move into nearby halls and courtyards to keep the cultural journey connected.
A five-storey timber pagoda carrying wishes of fortune, prosperity, longevity, joy and celebration for every visitor.
The ceremonial gateway to Xiangxi Fu. Its layered eaves rise like a phoenix, opening the journey into Tusi architecture and mountain heritage.
The central hall traces eight centuries of Peng Tusi governance, border defense, tribute routes and the family glory of defending the realm.